You have the footage. What you don’t have is three more weeks and an editor who understands marketing. We get it. Lava Media’s post production services turn raw material into finished, on-brand video your campaign can actually run.

Your footage arrives, we build the story. Our editors cut for pacing and message, not just continuity — the same editorial craft that turned five minutes of raw takes into a two-minute investor teaser for AA&M Productions.
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Grading on calibrated monitors, plus the unglamorous work that separates finished from almost: removing a stray light, repainting a continuity error, erasing a boom or a logo you never cleared. Frame by frame, timecode by timecode.
Animated UI, infographics, 3D product builds and compositing tracked into live action. For AMPD we composited app icons, map pins and a custom 3D retail grid onto generated base plates — human-led VFX, because no prompt gets that right.
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Dialogue cleanup, Foley, custom sound design, licensed music synced to the cut, and a final mix. Then every deliverable your channels need — platform ratios, captions, broadcast specs — labelled and ready to schedule.
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A good post production brief answers three questions before the edit starts:
No footage, no shoot — five minutes of generated takes, cut to a two-minute investor teaser with layered sound design, beat-synced music and a director-approved final mix.
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For teams that already have footage and a cut in mind. We take your rushes, deliver a paced edit, clean audio, a calibrated grade and adapted motion graphics customised to your brand. The fastest route to a publishable asset.
Our most requested tier, and the one AMPD chose. Custom motion graphics and 3D built from scratch, composited and tracked into your live action, plus a bespoke sound design pass. Delivered inside four weeks from kickoff.
For campaigns that will run on broadcast, OTT or in front of investors. Multi-format finishing, VFX and clean-up, ADR and full mix, plus a complete deliverables package to spec. Long-form narrative and commercial post production live here.


Editors, colourists, VFX artists and sound designers sit in the same house, so nothing gets lost in a handoff.

We cut toward your campaign objective, not toward a showreel, because a beautiful edit that does not convert is a cost.

Thirteen years of production and more than 800 videos filmed means very few post problems are new to us.

You get a written deliverables spec and a quoted price before we start, so the invoice holds no surprises.

You share rushes, brand assets and any reference cut. We review the material and come back with a scope, a price and a delivery date


We agree the deliverables spec: every cut, ratio, caption file and broadcast requirement, plus who signs off on each round.
Edit, grade, clean-up, graphics and sound run as one pipeline. You review at fixed checkpoints instead of chasing separate vendors.


You receive every file in every required format, labelled and ready to schedule, with project files archived if you need them later.


Post production is everything that happens after the shoot: assembly and fine cut editing, colour correction and grading, audio post — dialogue cleanup, sound design and mix — plus VFX, clean-up and motion graphics, and finally mastering into the deliverables each channel needs. A post production house that owns all of these stages under one roof removes the handoffs where schedules and quality usually slip. That is the difference between a post production company and a freelancer with a licence.
Send us your footage and your deadline. You will get a scoped quote for post production services, with a firm delivery date, inside one business day.

Most brand projects land between $2,500 and $15,000. A finishing pass on existing footage starts at $2,500. Custom motion graphics and 3D — the package AMPD commissioned — runs around $6,000. Broadcast and OTT finishing with full audio post starts at $15,000. You get a fixed quote before we begin, not an hourly estimate.
Your post production deliverables are agreed in writing before the edit starts: master file, every platform ratio, caption and subtitle files, thumbnail frames, and any broadcast spec your distributor requires. Project files can be archived and handed over on request. Nothing gets discovered as an extra at delivery.
We tie the edit to the objective set in the brief: watch-through rate, click-through, or a specific action. Because Lava Media also runs campaign distribution, we can test cut variants in market rather than guessing which version performs. That feedback loop is what a post production agency adds over an editor for hire.
A finishing pass typically takes two weeks. A hybrid package with custom graphics and sound design runs four weeks — the exact turnaround we delivered on AMPD’s 30-second commercial. Long-form narrative work with heavy VFX takes longer, and you get a dated schedule at the brief stage rather than after we start.
Yes — that is the majority of our post production work. Send rushes, brand assets and a reference cut, and we handle editing, colour, clean-up, graphics and sound. If the material has technical problems, we flag them during the scope review, not after the invoice.
Yes. We use AI generation and inpainting where it genuinely saves time, and human-led compositing where it does not. On the AMPD project the AI produced base plates while our artists built and tracked the 3D retail grid — a prompt cannot do that reliably, and we will tell you when it cannot.
